During my research for Zack Snyder’s Justice League, I realised two things:
1) The Flash still needs a film of his own. Luckily, it’s coming out later this year.
2) I remember very little about Aquaman.
However, after finally watching it again, I understood why.
For all his masculine bravado, Arthur (Momoa, Dune) grapples with his identity. Born from a queen of Atlantis and a human lighthouse-keeper, he spends his time rescuing submarines from pirates and getting hammered in bars. With his dad. Is he lonely? It’s just as well that Mera (Heard, Machete Kills) has arrived on land to get Arthur to claim his birthright. As the first-born son of Queen Atlanna (Nicole Kidman, Bombshell), he is the rightful king. Unfortunately, Atlanna’s other son Orm (Patrick Wilson, The Conjuring: The Devil Made Me Do It) is on the throne, hankering to destroy all who dwell on the land and pollute the ocean.
The overall tone wrestles with being deep and profound and being a quirky little adventure. The environmental message is a bit ham-fisted, delivered via the so-called villain. You can see where Orm is coming from; unfortunately, Wilson lacks the charisma to make Orm an engaging anti-hero. In addition, his bizarre decision to have “AHHHHH,” as a battle-cry, and awkwardly elongating Atlantis’s name, makes you wonder if he understood the film’s mood either.
On the other hand, Momoa rolls with the disjointed punches. Though solitary and churlish on the surface (which we saw in both versions of Justice League, for better or for worse), Arthur’s dry sense of humour won me over as soon as he crashed down into a Russian submarine. No other reason. Nope. None at all.
Makes one wonder what a female director would have made out of that whole sequence (sorry, James Wan).
The Atlantean suits look clunky, but none so much as the film’s secondary villain, Black Manta (Yahya Abdul-Mateen II, The Matrix Resurrections). We meet him on the submarine, as mentioned earlier, a pirate with his dear old dad. Aquaman is all about father-child dynamics but fails to explore it properly at every opportunity. Arthur’s dad, Tom (Temuera Morrison, The Book of Boba Fett), barely scrapes thirty minutes of screen-time, and Willem Dafoe’s Vulko only appears when Arthur needs a pep-talk. As for Manta, his father signs his life away as soon as he gives his son his favourite knife. Here’s where it gets vaguely interesting. After rescuing the Russian soldiers from said pirates, Arthur has the option to save everyone from the sinking sub…but he doesn’t. So begins Black Manta’s story, complete with a costume that looks like it came straight out of Power Rangers. While it’s true to the comics, I cannot take it seriously. Fortunately, Abdul-Mateen is suitably menacing without that ridiculous helmet.
Amber Heard reprises her role as Mera. Besides her shocking red hair and ability to manipulate water (and, in a particularly fun sequence, wine), she’s a pretty bland character, frequently stating the obvious and – yawn – becoming Arthur’s love interest. But, of course, isn’t that all women are for?
Well, the only other female character is his mother, and Nicole Kidman deserves more than this; her big reveal is overshadowed by another Jules Verne reference. Indeed, there are many mentions of Verne, and H.P. Lovecraft's, work. The film opens with a quote from Verne, and Lovecraft wrote extensively about Atlantis and impossibly giant monsters; Aquaman features a deep-sea creature named Karathen, voiced by Dame Julie Andrews.
Dame. Julie. Andrews.
The film was available to watch in 3D upon its cinematic release, and it shows: Atlantis is a CGI fest, swinging between a glorious spectacle for the eyes and an absolute mess. The use of humpback whales offers impressive perspective for the city’s size, though that octopus playing the drums was a wasted blink-and-you’ll-miss-it gag. Also, poor Djimon Hounsou’s character design is utterly hideous.
As a stand-alone film, Aquaman offers very little that hasn’t been done before, relying on intense CGI and shameless eye-candy to keep audiences invested. While Momoa is good for the female gaze, the screenplay writers don’t seem to know what to do with their female characters. With two villains muddying the waters (pun intended) and the plot going through the motions, it is one of the more forgettable DCEU films. Let’s hope the sequel offers something better, eh?
The Verdict: 2 STARS OUT OF 5
My Sources:
Aquaman film poster/cast: https://www.imdb.com/title/tt1477834/
Jason Momoa filmography: https://en.wikipedia.org/wiki/Jason_Momoa#Film
Amber Heard filmography: https://www.imdb.com/name/nm1720028/?ref_=tt_ov_st
Temuera Morrison filmography: https://www.imdb.com/name/nm0607325/?ref_=tt_cl_t_8
GIF – Arthur enters the submarine: https://gfycat.com/gifs/search/aquaman+submarine+scene
Image – Black Manta (comics and film): https://nerdist.com/article/aquaman-costumes-comics/
GIF – Mera turns wine into a weapon: https://www.fanforum.com/f88/mera-%E2%99%A5-arthur-aquaman-2-so-what-do-i-do-now-their-king-63227022/
The Karathen is Dame Julie Andrews?! https://www.wmagazine.com/story/julie-andrews-aquaman
What’s the name of Djimon Hounsou’s character? https://www.imdb.com/name/nm0005023/?ref_=nv_sr_srsg_0
Image – Djimon Hounsou is King Ricou: https://collider.com/aquaman-image-fisherman-king/
Was Aquaman released in 3D?: https://en.wikipedia.org/wiki/Aquaman_(film)
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